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E. STOTT

3.28.2010

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Posted by E. STOTT at 03:13 No comments:
Labels: BUSBY, E. STOTT

3.27.2010

ON THE WALL

Posted by E. STOTT at 08:30 No comments:

SPRING



Posted by E. STOTT at 08:24 No comments:

SHOOTING LONDON




Posted by E. STOTT at 08:18 No comments:

WILLIAM



Posted by E. STOTT at 08:11 No comments:

3.20.2010

PELLETS


Posted by E. STOTT at 17:15 No comments:

PROJECT: BYZANTIUMS



Posted by E. STOTT at 17:09 No comments:

EARLY CATHOLIC CHURCH

Posted by E. STOTT at 17:07 No comments:

THE COLOUR OF POMEGRANATES SAYAT NOVA







Posted by E. STOTT at 16:35 No comments:

ANGES ET DEMONS

Posted by E. STOTT at 16:31 No comments:

PHYSICAL FITNESS









Posted by E. STOTT at 16:13 No comments:

CRACKS

Posted by E. STOTT at 15:50 No comments:

THE PIANIST




Posted by E. STOTT at 15:18 No comments:

EWE...

Posted by E. STOTT at 15:16 No comments:

DECONSTRUCTED


Posted by E. STOTT at 15:12 No comments:

ENGLISH SUMMER

Posted by E. STOTT at 14:59 No comments:

AW1011 ON OFF

Posted by E. STOTT at 14:53 No comments:

PROJECT: MONOTONE



MON- O - TONE : MONOTONE, USED TO DESCRIBE A FUNCTION OR A SEQUENCE OF REAL NUMBERS THAT STEADILY INCREASES OR DECREASES

Posted by E. STOTT at 14:11 No comments:
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Blog Archive

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    • ►  10 (2)
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    • ►  08 (6)
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    • ►  05 (19)
    • ►  04 (17)
    • ▼  03 (19)
      • .
      • ON THE WALL
      • SPRING
      • SHOOTING LONDON
      • WILLIAM
      • PELLETS
      • PROJECT: BYZANTIUMS
      • EARLY CATHOLIC CHURCH
      • THE COLOUR OF POMEGRANATES SAYAT NOVA
      • ANGES ET DEMONS
      • PHYSICAL FITNESS
      • CRACKS
      • THE PIANIST
      • EWE...
      • DECONSTRUCTED
      • ENGLISH SUMMER
      • AW1011 ON OFF
      • PROJECT: MONOTONE
      • STRANGLED
    • ►  02 (18)
    • ►  01 (3)

About Me

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E. STOTT
For me it is often the process of designing and creating garments that forms the subject, whether that is realigning functional details to comply with a perceived aesthetic ideal or seeing how far you can abstract a recognised detail without negating its familiarity.
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